Measuring about 130cm long with paulownia wood surface and catalpa wood base, the guqin features seven strings above thirteen jade markers. Its unique design includes two sound holes poetically named “phoenix pool” and “dragon pond”. Players produce tones across four octaves (八度音阶) using three basic techniques: san (plucking open strings), an (pressing strings while plucking), and fan (creating light overtones). These methods allow for rich expressions — from airy floating notes to solid deep tones, using techniques like sliding fingers on strings.

More than just an instrument, the guqin embodies traditional Chinese values of clarity, simplicity, and elegance. Famous historical figures including Confucius and philosopher Ji Kang were master players. Ancient scholars left many writings about its art, preserving thousands of musical compositions through centuries. The guqin served not only as musical expression but also as a tool for spiritual cultivation among intellectuals.

While more than 10,000 skilled players remain today — with thousands of true masters — recent generations have worked to revive this heritage. Modern virtuosos (演奏家) like Guan Pinghu mastered classical pieces while developing new teaching methods. Though the original repertoire (曲目) of thousands of works has reduced to about one hundred regularly played pieces, institutions now actively preserve scores and techniques. Cultural programs introduce students to the guqin’s poetic charm, ensuring this ancient art continues to inspire new generations with its timeless voice.